New York Art History

with an emphasis on representational art

 

Other online information page 2

 

(above:  Guy Pène du Bois, The Confidence Man, c. 1919, oil on panel, 27.9 x 22.5 inches, Brooklyn Museum. Public domain, via Wikimedia Commons*)

 

Excavation: Recent Photographs by Stanley Greenberg, an exhibit held April 12 - June 14, 2013 at the Bellarmine Museum of Art. Accessed August, 2015.

East Hampton Artist Colony from Wikipedia. Accessed August, 2015.

Figuration Never Died: New York Painterly Painting, 1950-1970 is a 2020 exhibit at the Brattleboro Museum & Art Center for which Karen Wilkin, curator, says: "Although many had begun as abstract artists, they abandoned abstraction to make the world around them the basis of their work, painting from direct observation and memory, and often looking to the history of art as a starting point. Like the first generation of Abstract Expressionists, and in contrast to the Color Field and Pop painters, these artists remained enthusiastic about the physicality of oil paint, using a fluent, urgent touch to translate their perceptions into a variety of individual languages, almost all informed by the hand." Accessed 1/21

Finger Lakes Artists is a website created by John Sutton that contains "...a list of artists active list of known European/American trained artists (painters) of the Finger Lakes area of Central New York State covering the very late 18th C. to about the middle of the 20th C. (1790-1960)." The site also includes biographies for several listed artists. Accessed 10/19

From The Wealth Of Transport, The Artists Of Lockport is a 2019 exhibit at the Burchfield - Penney Art Center which says: " The artists Raphael Beck, Frank Penfold, and Burr Nichols defined the art of Buffalo during the late 19th and early 20th century. All of them settled in the town of Lockport, NY one of the most important locations along the Erie Canal." Accessed 1/20

Frohawk Two Feathers: Kill Your Best Ideas, The Battle for New York and Its Lifeline, the Hudson River is a 2015 exhibit at the Hudson River Museum  which says: "This exhibition is the final episode in the artist's series on Colonial America, his successful combining of art, history, and sometimes wicked but always fun-to-read commentary on people -- Europeans adventurers and explorers, North American Indians, freed and enslaved blacks, and ravishing women who love, laugh, and die on the banks of the Hudson from Manhattan up to Lake Oneida." Accessed 8/18

Genius Loci: Burchfield's Spirits of Place 1921-1943 is a 2018 exhibit at the Burchfield - Penney Art Center which says: "This exhibition, curated by Burchfield Scholar Nancy Weekly, reflects the range of Burchfield's artworks, from wallpaper designs and prints to masterful paintings produced between 1921, when he moved to Buffalo, until a turning point in 1943, when at the age of 50 he experimented with yet another great stylistic change."  Also see Charles Burchfield from Resource Library essay. Accessed 12/18

 

Georgia O'Keeffe: "My New Yorks" is a 2024 exhibit at the High Museum of Art which says: ""I had never lived up so high before and was so excited that I began talking about trying to paint New York," recalled Georgia O'Keeffe late in life. In 1924 the artist and her husband, Alfred Stieglitz, moved into the Shelton Hotel, then the world's tallest residential skyscraper. The hotel's stunning views inspired O'Keeffe to explore midtown Manhattan's soaring geometries: she experimented across media and scale and with various subjects, forms, and perspectives during an energetic five-year period beginning in 1925. Through these works, which she called "my New Yorks," she investigated the dynamic potential of the cityscape, often depicting it in dialogue with nature to represent her personal perceptions of the built environment." Accessed 10/24

Gordon Parks: The Making of an Argument, an exhibit held September 19 - December 21, 2014 at the Fralin Museum of Art. Includes attachment containing an essay by John Edwin Mason titled "Good Kids Gone Wrong: The Backstory to Gordon Parks's 'Harlem Gang Leader'" Accessed January, 2016.

Grand Central School of Art and Grand Central Art Galleries from Wikipedia. Accessed August, 2015.

Harlem: In Situ is a 2019 exhibit at the Addison Gallery of American Art, Phillips Academy which says: "Initially inspired by the Addison's trove of Harlem street-photography, which includes significant bodies of work such as Harlem Document (1935) by Aaron Siskind, Harlem Heroes (1930-1960) by Carl van Vechten, Harlem, USA (1975-1979) by Dawoud Bey (a three-time Elson Artist-in-Residence at Phillips Academy), 1920s-1950s (Harlem) by Lucien Aigner, and The Sweet Flypaper of Life (1984) by Roy DeCarava, this show also includes prints from the collection by Romare Bearden, Elizabeth Catlett, James Lesesne Wells, and Vincent D. Smith, as well as several key works by nearly a dozen artists, working across time and media, including Charles Alston, Jordan Casteel, Aaron Douglas, Miatta Kawinzi, Alice Neel, Lorraine O'Grady, and Kehinde Wiley, that will come to the Addison as loans from sister institutions." Accessed 5/19

History of the Rochester Art Club from Rochester Art Club, accessed October, 2013. Includes artist biographies. Accessed August, 2015.

Home on the Hudson: Women and Men Painting Landscapes 1825-1875 from NewYorkHistoryBlog.org. Accessed August, 2015.

Hudson River School topic from TFAO. Includes list of articles and essays published in Resource Library plus other resources. Accessed August, 2015.

 

(above: Frederic E. Church, View of the Hudson River Valley from Olana,1867, Brigham Young University Museum of Art. Public domain, via Wikimedia Commons)

 

International Exhibition of Modern Art (Armory Show), from Wikipedia. Accessed August, 2015.

International Exhibitions held in US and Abroad topic from TFAO. Includes list of articles and essays published in Resource Library plus other resources. Accessed August, 2015.

Italy's Art in The United States: Tracing the Immigrants' Influence in the Upstate New York Region, by James C. Mancuso, 1997 (Updated, August, 2002). Includes biographies of Italian-American artists, Accessed August, 2015

Jack Stuppin: The Beginning of My World is a 2021 exhibit at the Hudson River Museum which says: "Stuppin's paintings resonate with memory -- of hills, cliffs, and vibrant leaves that are simultaneously filled with nostalgia as well as an urgent call to protect this natural beauty for future generations. He vows that if his long art career in California explored the edge of the continent, then, for him, Yonkers and the Hudson River Valley will always poignantly serve as his beginning." Accessed 9/21

James McElhinney: Discover the Hudson Anew is a 2019 exhibit at the Hudson River Museum which says: "James McElhinney: Discover the Hudson Anew presents the painter's sketch books and prints related to the River in a comprehensive showing for the first time."  Also see artist's website which provides an exhibition catalogue. Accessed 5/20

 

Joseph Hidley: Folk Artist is a 2019 exhibit at the Albany (NY) Institute of History and Art which says: "For most of his life, Joseph Henry Hidley (1830-1872) was a resident of the rural town of Poestenkill, Rensselaer County, New York. Generally known today as the painter of a few remarkable mid-nineteenth-century townscapes, and little else, current research conducted by regional art historian, Warren F. Broderick, has identified dozens of works by Hidley that expand our understanding of this rural, self-taught artist." Also see 10/31/19 article in the Times Union. Accessed 5/20

A 2019 exhibit at the Provincetown Art Association and Museum says: "Joseph Kaplan (1900-1980) was a painter, printmaker, photographer, and teacher who worked primarily in New York and Provincetown. He was most active in the 1940s through the 1950s. Earlier in his career he worked on several WPA Federal Art Projects and Treasury Relief Art." Accessed 1/20

Lasting Impressions: Restoring Kate Freeman Clark is a 2017 exhibit at the University of Mississippi Museum which says: "Her painterly impressions of the Shinnecock Hills in upstate New York testify to a deep enjoyment of and immersion in the experience of plein air painting." Also see Kate Freeman Clark Art Gallery. Accessed 4/17

Librado Romero: From the Desert to the River is a 2020 exhibit at the Hudson River Museum which says: "Librado "Lee" Romero spends his days painting the Hudson River from his window in the Riverdale neighborhood of the Bronx, as well as scenes conjured by his imagination from his childhood in Calexico, California from his studio in Yonkers."  Accessed 4/21

The Lure of Niagara Highlights from the Charles Rand Penney Historical Niagara Falls Print Collection is a 2018 exhibit at the Castellani Art Museum which says: "Penney's nephew, Christopher W. Lane, co-founder of The Philadelphia Print Shop, organized the collection into seven thematic categories-Hennepin & Derivatives, A Variety of Depictions, Niagara As a Symbol, Popular Prints, Prints for the Wealthy, Extraordinary Events, and Maps. The immense size and fragility of the complete collection precludes a presentation in its entirety." Also see article from New York Heritage. Accessed 3/18

 

In October 2012 The Metropolitan Museum of Art launched MetPublications, an online resource that offers in-depth access to the Museum's print and online publications, covering art, art history, archaeology, conservation, and collecting. Titles relating to American representational art available for free viewing via.pdf download or online reading as of 2013 include: Art and the Empire City: New York, 1825-1861; Voorsanger, Catherine Hoover, and John K. Howat, eds., with essays by Dell Upton, Carrie Rebora Barratt, John K. Howat, Kevin J. Avery, Thayer Tolles, Morrison H. Heckscher, Elliot Bostwick Davis, Jeff L. Rosenheim, Caroline Rennolds Milbank, Amelia Peck, Catherine Hoover Voorsanger, Alice Cooney Frelinghuysen, and Deborah Dependahl Waters (2000) . Accessed August, 2015.

 

(above: James Wells Champney, Returning from Harvesting, 1874, oil on board, 17 x 13 inches. Public domain, via Wikimedia Commons*)

 

Mac Conner: A New York Life is a 2016 exhibit at the Norman Rockwell Museum which says: "This lively installation that brings to light the art of one of America's original "Mad Men" explores the life and times of McCauley ("Mac") Conner (born 1913), who grew up admiring Norman Rockwell magazine covers in his father's general store." Accessed 8/18

Made in New York City: The Business of Folk Art is a 2019 exhibit at the American Folk Art Museum which says: "Folk art has flourished in the heart of New York City since the eighteenth century, contrary to popular belief that it was a rural genre that reflected local tastes, traditions, and needs. In fact, many of the objects that have been associated with the heartland were manufactured and used in New York City by artists and artisans who, in the tradition of self-taught artists around the world, learned their skills by joining family businesses, apprenticing to masters, or by teaching themselves the expertise needed to produce those pieces that we now consider among the core expressions of American folk art."  Also see 3/12/19 article in Antiques and The Arts Weekly Accessed 9/19

 

Go to New York Art History: Other online information page 3

 

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TFAO catalogues:

American Representational Art links to dozens of topics in American Representational Art

Audio Online a catalogue of online streaming audio recordings

Collections of Historic American Art notable private collections

Distinguished Artists a national registry of historic artists

Geographic Tour of American Representational Art History a catalogue of articles and essays that describe the evolution of American art from the inception of the United States to WWII.

Illustrated Audio Online streaming online narrated slide shows

Articles and Essays Online substantive texts published outside of Resource Library

Videos Online a comprehensive catalogue of online full motion videos streamed free to viewers

Videos an authoritative guide to videos in VHS and DVD format

Books general reference books published on paper

Interactive media media in CD-ROM format

Magazines paper-published magazines and journals

Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.

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