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Art in the Veins: The Legacy
of the Edmondson Family in Cleveland
June 13 - August 1, 2009
From the late 1800s
through the whole of the 20th century, the Edmondsons -- a family of painters,
printmakers, sculptors and photographers -- were major contributors to the
arts in Northeastern Ohio. This exhibition tells the story of a family and
the place that formed them. Artists featured in the exhibition include George
William Edmondson (1837-1913, George Mountain Edmondson (1866-1948), William
John Edmondson (1868-1966) and Ivy Jane Edmondson Starr (b. 1909).
Wall panel biographies from the exhibition
- George Mountain Edmondson
- (1866-1949)
- George Mountain was born in Norwalk, Ohio. He began studying
and practicing photography at the age of 16 and after moving to Cleveland
he began working with photographer James F. Ryder in his studio. He soon
joined the Decker & Wilbur Photography Studio and became a partner
of the studio with Edgar Decker in 1897 when he was 31 years old. George
Mountain took over the studio at the turn of the century and moved it to
Euclid Avenue, near the famous historic neighborhood nicknamed "Millionaire's
Row." After the move, George began photographing many famous inhabitants
of Euclid Avenue such as Samuel Mather, Leonard C. Hanna and John D. Rockefeller.
From this point forward, George Mountain became renowned for his captivating
portraits. George Mountain won several awards for his work throughout his
career and in 1902 he was selected as the President of the Photography
Association of America. George Mountain married Wilhelmina Neason in 1901
and had two children, George Mountain Jr. and Ivy Jane.
-
- George William Edmondson
- (1837-1913)
- George William was born in England and was the descendent
of a line of Quakers that extends back to the mid-seventeenth century.
After immigrating to Canada, George William made the decision to become
an artist, defying his father's wishes to become an engineer. His early
life is full of interesting tales, including his journey with a Royal Society
expedition in Canada as its photographer. Edmondson was injured and became
separated from the group, when he was discovered by a Native American woman
and nursed back to health. He eventually married and moved to the United
States in the 1850s, settling in Norwalk, Ohio, just after the Civil War.
Here he established the Edmondson Manufacturing Photography Studio. Edmondson
later became a Methodist and for a time lived in the Christian community
of Lakeside where he photographed the scenery and camp activities. Ever
interested in stretching the possibilities of photography, Edmondson would
shoot large photo-murals and paint over the top of them and even once captured
the New York to Chicago express train in a photograph as it was racing
through Norwalk in 1883.
-
- William John Edmonson
- (1868-1966)
- William John Edmondson was born in Norwalk, Ohio. He
was interested in art throughout his childhood and traveled to Paris to
study at the Academie Julian with renowned French figure painter Jules
Lefabvre. William John returned to the United States to complete a degree
from the Academy of Fine Arts in Philadelphia, and after four years he
once again traveled to Paris, this time to study at the Aman-Jean Academy.
Upon his return to the states, William John soon developed a reputation
for portraiture and painted several prominent figures in turn-of-the-century
Cleveland. He also liked to paint landscapes and often traveled West to
paint. Edmondson's style is marked by abundant use of color and his remarkable
patterns of light and dark. William John's work was shown at the Cleveland
Museum of Art and he was awarded with the Penton Medal for Excellence from
CMA in 1919. His work has also been showcased at art institutes in Chicago,
Philadelphia, San Francisco, Detroit, Cincinnati, St. Louis, and Indianapolis.
-
- Ivy Jane Edmondson Starr
- (b. 1909)
- Ivy Jane attended the Hathaway Brown Preparatory School
in Shaker Heights, Ohio while taking Saturday art classes at the Cleveland
Museum of Art and the Cleveland Institute of Art. When she was 16, Ivy
Jane spent a summer studying at a graduate art studio at Columbia University
in New York City, but she has said that she was most influenced by working
with her uncle, William John Edmondson. After beginning work as an artist,
Ivy Jane married a young Hungarian history student, Stephen Starr. During
the Great Depression it was difficult for Stephen to find work as an historian,
so he began working as a businessman and Ivy stayed home to take care of
their family. However, Ivy Jane continued to exchange her paintings for
sides of beef to save money. After moving to Cincinnati, Ivy Jane began
her work as a stone sculptor, studying with Charles Cutler at the Cincinnati
Art Academy. Public organizations like the Public Library, the Cincinnati
Zoo and the Children's Hospital commissioned several works from Ivy Jane
during her years there. The Starr family later moved to Vermont, where
Ivy Jane painted many watercolors of the surrounding nature. Ivy Jane's
painting went through several stages during her career; watercolor landscapes,
magic realism and a series titled "Women of the Old Testament."
Having turned 100 years in February, Ivy Jane resides in a Quaker retirement
community near Philadelphia and continues to make art to this day.
Object labels from the exhibition
- George William Edmondson (1837-1913)
- The Drinker's Progress
- c. 1875
- Stereographs
- Collection of Michael Edmondson and Brad Edmondson
-
- "Satan in his Laboratory Compounding Alcoholic
Beverages"
-
- "First Drink at a Fashionable Party"
-
-
- George William Edmondson (1837-1913)
- The Drinker's Progress
- c. 1875
- Stereographs
- Collection of Brad Edmondson
-
- "First Drink at Public Bar"
-
- "First Intoxication-Bachelor's Carouse"
-
-
- George William Edmondson (1837-1913)
- The Drinker's Progress
- c. 1875
- Stereographs
- Collection of Brad Edmondson
-
- "Out for a Night of It"
-
- "Caught in the Toils"
-
-
- George William Edmondson (1837-1913)
- The Drinker's Progress
- c. 1875
- Stereographs
- Collection of Brad Edmondson
-
- "Gets Into Trouble"
-
- "He Resolves to Retrieve His Fortune at Cards"
-
-
- George William Edmondson (1837-1913)
- The Drinker's Progress
- c. 1875
- Stereographs
- Collection of Brad Edmondson
-
- "He is 'Cleaned Out'"
-
- "Commits Murder for Gain"
-
-
- George William Edmondson (1837-1913)
- The Drinker's Progress
- c. 1875
- Stereographs
- Collection of Brad Edmondson
-
- "Delirium Tremens"
-
- "The Bitter End-Pauper Coffin"
-
-
- George William Edmondson (1837-1913)
- Lakeside Camp Meeting Scenes
- c. 1875
- Stereographs
- Collection of S. Frederick Starr
-
- "Instantaneous-Views Toward Dock"
-
- "The Child Preacher"
-
- Lakeside, a "Chautauqua on Lake Erie," was
conceived by members of the local Methodist Episcopal Church as a camp
meeting location and a summer resort for Christian families. George W.
Edmondson was a member of the community and documented it through numerous
photographic series.
-
-
- George William Edmondson (1837-1913)
- c. 1875
- Stereographs
- Collection of S. Frederick Starr
-
- View of Lakeside Hotel
- From one of two series by Edmondson-either "Picturesque
Lakeside" or "Lakeside Past and Present," this photograph
was taken shortly after the hotel was completed.
-
- (Untitled) Floral bouquet with Portraits
- Here Edmondson demonstrates his unique printing abilities
and plays with the stereographic medium.
-
- The Drinker's Progress
-
- One of Edmondson's most delightful series depicts a young
man's sad demise as he succumbs to "the drink." We begin with
Satan himself mixing alcohol in his lair and follow the poor chap as he
begins drinking at parties and quickly turns to a life of debauchery, gambling,
and crime. In the end he dies a pauper-with only his dog to mourn him!
-
- A staunch moralist, George Edmondson came from a long
line of Quakers, though he eventually became a Methodist. However Edmondson
also maintained a wild side in his fascination with gypsies-he was known
to disappear for days at a time when bands of gypsies had come to town.
-
-
- George William Edmondson (1837-1913)
- Methodist Camp Banquet
- 185
- Watercolor on paper
- Collection of Melissa Bausman
-
- A resident of Lakeside, a Christian resort community,
Edmondson depicted camp meetings in stereographic photos as well as paintings.
Lakeside's first auditorium was not completed until 1878, before which
camp meetings were held outdoors and in tents.
-
-
- George William Edmondson (1837-1913)
- Gypsies at Campfire
- c. 1854
- Watercolor on paper
- Cleveland Artists Foundation Collection
-
- Edmondson maintained a life-long fascination with gypsies.
Despite being a married man and a stern moralist, he would often join up
with local gypsies for days at a time!
-
-
- George William Edmondson (1837-1913)
- Queenswood College, Hants.
- c. 1840
- Blue ink and wash on paper
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Dancers
- Bronze, c. 1980
- Collection of Ivy Jane Edmondson Starr
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Go-kart Driver
- Bronze, c. 1970
- Collection of Ivy Jane Edmondson Starr
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- My Old Parents
- Egg tempera on board, 1943
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Naomi and Ruth
- (from Old Testament Women series)
- Oil on linen, c. 1985
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Delilah and Samson
- (from Old Testament Women series)
- Oil on linen, c. 1985
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Rachel and Leah See Jacob
- (from Old Testament Women Series)
- Oil on canvas, c. 1985
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Miriam, Baby Moses, and the Princess
- (from Old Testament Women Series)
- Oil on canvas, c. 1985
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- David Meets Abigail
- (from Old Testament Women series)
- Oil on linen, 1996
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- What the Frogs are Telling Us
- Oil on linen, 1994
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Winter in Vermont
- Watercolor on paper, c. 1975
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Walkers' Sugarbush, VT
- Watercolor on paper, c. 1960
- Cleveland Artists Foundation Collection
-
- A sugar bush is an area of forest dominated by sugar
or black maple trees from where large amounts of maple syrup can be harvested.
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- After Berkeley Hills Fire
- Oil on linen, 1991
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Birch Tree in Winter, VT
- Watercolor on paper, 1979
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Tree with Broken Branch
- Watercolor on paper, c. 1960
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Bathers on a Log (Diana and George at Windcrest, Mentor-on-the-Lake,
OH)
- Watercolor on paper, 1948
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- January Thaw, Underhill Center, VT
- Oil on linen, c. 1977
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Snow Thaw
- Watercolor on paper, c. 1980
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- October Blow
- Watercolor on paper, c. 1970
- Cleveland Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- A Life (Rulers, Wars and Nature)
- Collage and watercolor on paper, not dated Cleveland
Artists Foundation Collection
-
-
- Ivy Jane Edmondson Starr (b. 1909)
- Yale Law School Graduation, May 25, 1998
- Oil on linen, 1998
- Cleveland Artists Foundation Collection
-
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- Ivy Jane Edmondson Starr (b. 1909)
- Just Too Many of Us
- Oil on Canvas, 1993
- Cleveland Artists Foundation Collection
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