
California Impressionism
And Its Artists
Harvey L. Jones Gallery
- east wall - ninth view
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- Made in California: Art,
Image, and Identity, 1900-2000 /
Section 1: 1900 - 1920 / Section
2: 1920 - 1940 / Section 3: 1940 - 1960
/ Section 4: 1960 - 1980
/ Section 5: 1980 - 2000, a 2000 multi-part
exhibition at the Los Angeles County Museum of Art. The exhibition goes
beyond a standard presentation of California art to offer a revisionist
view of the state and its cultural legacy. It considers both "booster"
images of California and other coexisting and at times competing images,
reflecting the wide range of interests and experiences of the state's diverse
constituencies. The exhibit approaches the past 100 years thematically,
presenting works that engage in a meaningful way with the California image.
As opposed to a survey exhibition, Made in California moves beyond
the established canon of artists and art works to include lesser-known
works by celebrated figures as well as a wider range of artists, more in
keeping with the diversity of California's population. It is the shared
conviction of the exhibition organizers that this approach, intended to
initiate a broader dialogue on California art rather than establish a new
canon.
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Images within this article:
Maurice Braun, Moonrise
over San Diego Bay, 1915, oil on canvas, 22 x 28 inches, Collection of
Joseph Ambroise, Los Angeles
Redlands Orange Growers'
Association, Rose Brand Oranges, c. 1910, crate label, 10 x 11 inches,
McClelland Collection
Alvin Langdon Coburn,
Giant Palm Trees, California Mission, 1911, platinum print 15 7/8 x 12
1/4 inches, International Museum of Photography, George Eastman
House, Gift of Alvin Langdon Coburn (67.0157:0049) Courtesy George Eastman
House
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Next view
Glide Path
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