Mid-Atlantic Art: 20-21st Century Northeast and Mid-Atlantic Painting (for years 1997-2000 includes Southeast and Southern American Paintings)

 

 



Introduction

This section of the Traditional Fine Arts Organization (TFAO) catalogue Topics in American Art is devoted to the topic "Mid-Atlantic Art: 20-21st Century Northeast and Mid-Atlantic Painting (for years 1997-2000 includes Southeast and Southern American Paintings)." Articles and essays specific to this topic published in TFAO's Resource Library are listed at the beginning of the section.

Following are links to valuable online resources found outside our website. Links may be to museums' articles about exhibits, plus much more topical information based on our online searches.

Following online resources is information about offline resources including museums, DVDs, and paper-printed books, journals and articles.

 

Articles and essays from Resource Library in chronological order:

2008-2016

2007

2006

2004- 2005

2003

2002

2001

2000

1999

1998

1997

(above: Late Summer in Deerfield, MA, 2013. Photo by John Hazeltine)

 

From other websites:

Art and the New England Farm is a 2018 exhibit at the Florence Griswold Museum which says: "Drawing on the agricultural heritage of Florence Griswold's family estate and of the Lyme region and beyond, this exhibition examines the history and character of New England's farms in works by artists from the 19th to the 21st century." Accessed 6/18

Flora/Fauna: The Naturalist Impulse in American Art is a 2017 exhibit at the Florence Griswold Museum which says: "Drawn extensively from the Museum's collection, as well as many public and private lenders, the 101 works in Flora/Fauna survey the history of environmentally-conscious artists in the United States from the dawn of the 19th century through the mid-20th century." Also see 6/20/17 article in Antiques and The Arts Weekly  Accessed 8/17

Pastoral Vermont: The Paintings and Etchings of Luigi Lucioni, an exhibit held May 21-August 9, 2009 at the Middlebury College Museum of Art. Includes 10 audio files. Accessed February, 2015.

 

DVD/VHS videos:

Hudson River and its Painters, The is a 57 minute 1988 video from the Metropolitan Museum of Art Series released by Home Vision Entertainment. The mid-nineteenth century saw the growth of America's first native school of landscape painters, artists inspired by the compelling beauty of the Hudson River Valley, who portrayed this and other romantic wilderness areas with an almost mystical reverence. This 57 minute video explores the life and work of the major artists of what came to be known as the Hudson River School -- Thomas Cole, Asher Durand, Frederic Church, Albert Bierstadt, John Kensett, Jasper Cropsey, Worthington Whittredge, Sanford Gifford, and George Inness. Although its members traveled widely, the growth and development of the school were centered around New York City, and its success reflected the ambitions of the youthful American nation. It presents more than 200 paintings, prints and photographs of the period and juxtaposes them with dramatic location photography of the Hudson River area. The Hudson Company in association with The Metropolitan Museum of Art. Hudson River and its Painters, The is available through the Sullivan Video Library at The Speed Art Museum which holds a sizable collection of art-related videos available to educators at no charge.
 
Plein Air: Painting the American Landscape episodes take the viewer on a journey, from Cape Cod, where the Atlantic meets the land, to the peak of Denali, the "Great One," North America's tallest mountain. Other episodes feature the Tongass Rain Forest; Seward, Alaska; Taos, New Mexico; Trinidad, Colorado; and central Michigan.
 
Plein air artists featured in the series include Matt Smith of Scottsdale, Arizona; Kenn Backhaus of Robesonia, Pennsylvania; Jean LeGassick of Silver City, Nevada; Connecticut artist Charles Sovek; Utah artist Ron Rencher; and Frank LaLumia of Trinidad, Colorado. Episodes features one or two of the contemporary plein air painters and examine their technique plus history of the plein air genre. Plein Air: Painting the American Landscape appeals to art lovers and outdoor enthusiasts alike and helps viewers to understand America's own naturalist art form.
 
For more than a century, a unique group of American artists ventured out of their studios to capture the essence of the American landscape. Some learned their craft from the French Impressionists, others through trial and error. What unites them is their dedication to the interplay of land, water and sky, and the study of how light, shadow and color form the varied and rich masks of the natural world.
 
This six-part series premiered in August 2007 on PBS and was presented in high definition. Underwriters for the series are Rasmuson Foundation and Joan Irvine Smith & Athalie R. Clarke Foundation. The producer is Greg Bombeck of Bombeck Productions and the PBS presenter is KTOO Juneau. DVDs are available through Bombeck Productions, LLC, 18016 Kamkoff Ave., P.O. Box 770302, Eagle River, AK 99577
 
Portrait of George Hardy. In this 30 minute Gabriel Coakley 1995 program we meet George Hardy, an elderly self-taught artist, living on the island of Deer Isle, Maine. Born on Deer Isle in 1917, Hardy has continued to live there ever since. After making a living as a mason, he began his career in folk art at the age of 60. Isolated from art trends, with no formal training and only a seventh-grade education, his work is concrete, raw, and direct. His sculpture is very much a part of his environment. From his roughened hands come the energized versions of wooden porcupines, tigers, red foxes with alligator teeth, blue howling coyotes, seagulls, and song birds.

TFAO does not maintain a lending library of videos or sell videos. Click here for information on how to borrow or purchase copies of VHS videos and DVDs listed in TFAO's Videos -DVD/VHS, an authoritative guide to videos in VHS and DVD format.

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Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.


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