Institutional Sources Study Project online worksheet

name of copyright owner: Florence Griswold Museum


In 2009 TFAO requested permission to reprint certain essays owned by the Museum. Four essays were apporved for reprinting, however, the following essays did not receive approval:

May Night: Willard Metcalf at Old Lyme *
by Bruce W. Chambers, Willard Leroy Metcalf, Amy Ellis, Emily M. Weeks, Florence Griswold Museum - Art - 2005
Catalog of an exhibition held at the Florence Griswold Museum, May 1-Sept. 11, 2005.
The American Artist in Connecticut: The Legacy of the Hartford Steam Boiler ... *
by Jeffrey W. Andersen, Hildegard Cummings - Art - 2002
"Published on the occasion of the exhibition ... at the Florence Griswold Museum from July 2, 2002 through June 22, 2003"--T.p. verso.
Henry Ward Ranger and the Humanized Landscape *
by Jack Becker, Lance Mayer, Gay Myers - Art - 1999
Catalog of an exhibition held at the Florence Griswold Museum, Old Lyme, Conn., June 5-Sept. 5, 1999.
Color, Light & Atmosphere: The Art of Charles and Mary Roberts Ebert ... *
by Charles Ebert, Mary Roberts Ebert, Florence Griswold Museum - 1996
Faces of Change: The Art of Ivan Olinsky, 1878-1962 *
by Hildegard Cummings, Jeffrey W. Andersen - Biography & Autobiography - 1995 - 32 pages
Issued in connection with an exhibition held at the William Benton Museum, Storrs, June 20-Aug. 22, 1995, and at the Florence Griswold Museum, Old Lyme, Sept. 8...
A World Observed: The Art of Everett Longley Warner, 1877-1963 / by Helen K ... *
by Helen K. Fusscas, Everett Longley Warner, Florence Griswold Museum, Westmoreland Museum of Art, Bucknell University Center Gallery - Art, Modern - 1992 - 48 pages
The Connecticut Shore: A Selection of Paintings from the Kathleen & Arthur J ... *
by Florence Griswold Museum - 1992
Exhibition held at the Florence Griswold Museum, Old Lyme, Conn., Aug. 15-Nov.1, 1992.
The Harmony of Nature: The Art of Frank Vincent DuMond *
by Jeffrey W. Andersen, Charles B. Ferguson - Biography & Autobiography - 1990 - 32 pages


Note: Copyright holder approvals and related correspondence are recorded online on this status sheet in an abbreviated fashion. Where appropriate, TFAO removes full email addresses and private phone numbers out of respect of the privacy of correspondents. Also, TFAO strives to remove from online-recorded correspondence any language of a personal or opinionated nature.

A special TFAO emphasis is building an archive of material, authored by scholars and other informed individuals, beneficial for the study of art history in the United States. As a public service, without charge to readers, TFAO annually publishes a number of scholarly texts relating to American representational art in its publication Resource Library.An essay's status page is linked to the Author Study and Index page listing the author being studied.

Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.

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