Institutional Sources Study Project online worksheet

name of catalogue or brochure:  Bruce Crane (1857-1937): American Tonalist

author(s) of essay: Charles Teaze Clark, Mary Muir

title of essay:

date of publication 1984

ISBN number:


name of copyright owner: Florence Griswold Museum


notes:

 


Recovery matrix composite score: 1

Status:

-- assigned to Shana Johannessen on 8/6/09
-- approved by copyright holder on 8/5/09 via email
-- published in Resource Library:
 

Correspondence:

From: ta...

Date: Wed Aug 5, 2009 12:43:32 PM US/Pacific

To: <s...

Cc: <in...

Subject: RE: Permission to publish "Harry L. Hoffman," "Bruce Crane," "Clark G. Voorhees," "Rudolf Scheffler"

Hello Shana,

TFAO has permission to print the essays without illustrations of the publications listed below.

We are currently scanning the essays and I will send them to you as soon as possible.

Tammi

 

Dear Tammi:  

Traditional Fine Arts Organization (TFAO) is a non-profit organization dedicated to furthering education in American art through advocacy, publications and research. A special TFAO emphasis is building an archive of significant texts, authored by scholars and other informed individuals, beneficial for the study of art history in the United States. 

As a public service, without charge to readers, TFAO annually publishes a number of scholarly articles and essays relating to American representational art in its publication Resource Library. The home page for TFAO is located at <http://www.tfaoi.org>. A list of published authors is at <http://www.tfaoi.org/aa/4aa/4aa348.htm>. For Resource Library's home page please see <http://tfaoi.org/resourc.htm>.    

TFAO is interested in publishing the essays from the following catalogues in Resource Library:

Rudolf Scheffler (1884-1973) by Peter H. Falk (1989)

Harry L. Hoffman, 1871-1964: A World of Color by Jeffrey W. Anderson (1988) 

Bruce Crane (1857-1937): American Tonalist by Bruce Crane, Charles Teaze Clark, Mary Muir (1984)

Clark G. Voorhees 1871-1933 by Barbara J. MacAdam (1981) 

Thank you for speaking with me about these essays clarifying that the Florence Griswold Museum owns them. TFAO will be pleased to reprint the these essays (without illustrations) in Resource Library. 

Could you please confirm the Florence Griswold Museum's permission to reprint these essays, without any accompanying illustrations, through a reply to this email addressed to me and to info@tfaoi.org? Should you wish to omit any specific essays from this blanket permission, please just specify them in your reply.  TFAO will consider the contained essays that exceed 600 words. 

At your convenience, and following your response to this email, the texts (books or clear photocopies on 8.5 x 11 inch paper) can be mailed to ...

Best regards,  

Shana

 

Note: Copyright holder approvals and related correspondence are recorded online on this status sheet in an abbreviated fashion. Where appropriate, TFAO removes full email addresses and private phone numbers out of respect of the privacy of correspondents. Also, TFAO strives to remove from online-recorded correspondence any language of a personal or opinionated nature.


A special TFAO emphasis is building an archive of material, authored by scholars and other informed individuals, beneficial for the study of art history in the United States. As a public service, without charge to readers, TFAO annually publishes a number of scholarly texts relating to American representational art in its publication Resource Library.An essay's status page is linked to the Author Study and Index page listing the author being studied.

Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.

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