American Art Review month and year: February-March 95
author(s): Gail Stavitsky
title of American Art Review article: "Precisionism in America 1915-1941: Reordering Reality"
Note: When available, TFAO asks that contractor obtain permissions for reprinting of a related catalogue essay as first choice. TFAO will compensate contractor for either an approved complete presentation package for an American Art Review article or for an approved complete presentation package for a related catalogue essay. TFAO will not pay for or publish both texts.
See: Precisionism in America, 1915-1941: Reordering Reality, By Montclair Art Museum. Published 1994 by Abrams, in association with the Montclair Art Museum. Precisionism/ United States/ Exhibitions. 160 pages. ISBN:0810937344. Original from the University of Michigan. Digitized Nov 8, 2007
"Encaustic Art in America" American Art Review November-December 1999 (Volume XI, Number 6) / Waxing Poetic: Encaustic Art in America during the Twentieth Century, essay by Gail Stavitsky (6/22/01) - skip this article
"Will Barnet: A Timeless World" American Art Review July-August 2000 (Volume XII, Number 4) - skip this article
"The 1930s Paintings of Francis Criss" American Art Review March-April 2002 (Volume XIV, Number 2) - Restructured Reality: The 1930s Paintings of Francis Criss (11/15/01) - RL article is short so AAR article may be reviewed
4/20/09 info on article from Shana:
4 pages, adapted from exhibiton catalogue: Restructured Reality: The 1930s Paintings of Francis Criss at PA Academy of Fine Arts organized by Linda Lichtenberg Kaplan, an independent curator with Dorothy Moss, Asst. Curator of American Art at teh Corcoran, includes a paragraph on the origins of the term "prescisionist" survey of Criss' work during the 1930s, final paragraph summarizes later career, refers to catalogue for annotation
"The Montclair Art Museum" American Art Review July-August 2002 (Volume XIV, Number 4) see http://www.montclairartmuseum.org/aboutmam_history/ whcih has download of PDF with the entire history essay from Montclair Art Museum: Selected Works. - skip this article
Jonathan Santlofer: The Man Ray Series; essay by Gail Stavitsky (6/3/03)
Conversion to Modernism: The Early Work of Man Ray; essays by Francis M. Naumann and Gail Stavitsky (9/2/03)
Edward Weston: A Legacy; with article by Gail Stavitsky (3/3/05)
recovery matrix composite score: 1
From: "Sarah Cash" <S...
Date: Thu Jun 11, 2009 3:24:36 PM US/Pacific
Subject: FW: Request to publish Gail Stavitsky essay on Francis Criss
To whom it may concern:
With this email, I confirm the Corcoran Gallery of Art's permission to reprint Gail Stavitsy's essay, without illustrations, in the catalogue entitled Restructured Reality: The 1930s Paintings of Francis Criss. TFAO will be pleased to reprint this essay (without illustrations) in Resource Library.
Margaret Morrison, my summer intern, will be sending Shana Herb Johannessen at SJ Proofreading a photocopy of the essay.
Bechhoefer Curator of American Art
Corcoran Gallery of Art
500 17th Street, NW
Washington, DC 20006
From:Shana Johannessen [..
Sent: Thursday, May 21, 2009 8:46 PM
To: Sarah Cash
Subject: Request to publish Gail Stavitsky essay on Francis Criss
Dear Ms. Cash:
Traditional Fine Arts Organization (TFAO) is a non-profit organization dedicated to furthering education in American art through advocacy, publications and research. A special TFAO emphasis is building an archive of significant texts, authored by scholars and other informed individuals, beneficial for the study of art history in the United States.
As a public service, without charge to readers, TFAO annually publishes a number of scholarly articles and essays relating to American representational art in its online publication Resource Library. The home page for TFAO can be found at http://www.tfaoi.org. A list of published authors is at http://www.tfaoi.org/aa/4aa/4aa348.htm. For Resource Library's homepage, please see http://tfaoi.org/resourc.htm.
In 2002, Gail Stavitsky authored an article for American Art Review's March/April issue entitled "The 1930s Paintings of Francis Criss." Following conversations with Ms. Stavitsky and you, I understand that this article was derived from a catalogue essay also written by Ms. Stavitsky and owned by the Corcoran Gallery of Art. Thank you for speaking with me about the essay, which appeared in the catalogue entitled Restructured Reality: The 1930s Paintings of Francis Criss. TFAO will be pleased to reprint this essay (without illustrations) in Resource Library. Could you please confirm the Corcoran Gallery's permission to reprint the essay by emailing your response to in.., copying me?
on 5/27/09 SJH said for "Precisionism in America 1915-1941: Reordering Reality" that author ... felt Abrams (commercial publisher) has a stake in both the catalogue essay and the AAR article derived from it.
on 5/27/09 SJH said for Frances Criss: ...Looks like I'll get permission to publish catalogue essay from the Corcoran. They will get back to me after June 1 when they will have an intern to handle getting me a copy, etc....
From: "Gail Stavitsky" <g...
Date: Wed May 6, 2009 6:12:44 AM US/Pacific
Cc: "Shana Johannessen" <sj...
Subject: Permission to reproduce the requested articles
TFAOI has my permission to reproduce the requested articles that I have written for American Art Review. Here is a short bio of myself:
Gail Stavitsky is Chief Curator of the Montclair Art Museum, where, among other exhibitions, she has curated and written catalogue essays on Reordering Reality: Precicisionism in America 1915-1941 (1994), Waxing Poetic: Encaustic Art in America (1999), and Will Barnet: A Timeless World (2000). She co-curated Conversion to Modernism: The Early Work of Man Ray (2003) and Roy Lichtenstein: American Indian Encounters (2005). Her current project is serving as primary curator for the traveling exhibition and catalogue Cezanne and American Modernism (2009-2010).
Sincerely, Gail Stavitsky
A special TFAO emphasis is building an archive of material, authored by scholars and other informed individuals, beneficial for the study of art history in the United States. As a public service, without charge to readers, TFAO annually publishes a number of scholarly texts relating to American representational art in its publication Resource Library.
American Art Review, ISSN 0092-1327, is published on paper and noted for its scholarly content by both senior authors and younger scholars. Tel 913.451.8801. The time period focus of American Art Review is from the Colonial era through 1970. The first issue of Volume 1 of the magazine was published in September, 1973. Publication was suspended with Volume 4 in November, 1978. Publication resumed with Volume V in the Summer of 1992 and continues to the present. In the 19th century there was a journal with a similar title, The American Art Review: A Journal Devoted to The Practice, Theory, History and Archaeology of Art edited by S.R. Koehler.
From time to time, TFAO contacts copyright owners of American Art Review articles and requests permission to reprint catalogue essays from which the articles were derived. -- without illustrations -- in Resource Library. As an alternate, TFAO may obtain permission to reprint the American Art Review articles without illustrations.
Currently TFAO volunteers and contractors are reviewing articles published in American Art Review from 1992 through 1998 in alphabetical order by author's last name. Contractors enter into an independent contractor agreement with TFAO for processing specified texts. For information on contracting opportunities please click here.
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