Editor's note: The following essays were reprinted, without illustrations, in Resource Library on March 4, 2008 with the permission of the authors and the Pasadena Museum of California Art. If you have questions or comments regarding the texts, please contact the Pasadena Museum of California Art directly through either this phone number or web address:
A Seed of Modernism: The Art Students League of Los Angeles, 1906-1953
Exhibition catalogue essays
Founded in 1906 as a school for modern painting in defiance of the academic tradition, the Art Students League of Los Angeles was a crucial institution in the development of Southern California art. Its early instructors taught in the Realist style of the Ashcan School until Stanton Macdonald-Wright assumed the directorship in 1923 and gave the school a new vitality. During his nine-year tenure, the League became a diverse center, stressing the art of as the Middle and Far East as well as Western Europe. When Macdonald-Wright stepped down in 1932, artists such as Lorser Feitelson and Benji Okubo directed the school, and a unique style developed at the League -- the blending of Japanese art techniques and themes along with Macdonald-Wright's color theories. After Pearl Harbor and during the incarceration of Japanese Americans, the school languished and eventually dispersed, but not before former Macdonald-Wright students Okubo and Hideo Date established a branch of the Art Students League at the Heart Mountain Concentration Camp in Wyoming.
A Seed of Modernism: The Art Students League of Los Angeles, 1906-53, organized by the Pasadena Museum of California Art, comprises the first comprehensive museum exhibition detailing the fascinating history of this group of gifted artists. Marian Yoshiki-Kovinick and Julia Armstrong-Totten are guest curators. A fully illustrated catalogue accompanies the exhibition and may be purchased in the Museum's book store.
essays © Pasadena Museum of California Art
Resource Library editor's note:
The above essays were reprinted, without illustrations, in Resource Library on March 4, 2008 with the permission of the Pasadena Museum of California Art. Resource Library wishes to extend appreciation to Jenkins Shannon and Maureen St. Gaudens for their help concerning permissions for reprinting the above texts.
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