This section of the Traditional Fine Arts Organization (TFAO) catalogue Topics in American Art is devoted to the topic "American Synchromism." Articles and essays specific to this topic published in TFAO's Resource Library are listed at the beginning of the section. Clicking on titles takes readers directly to these articles and essays. The date at the end of each title is the Resource Library publication date.
Following the listing of Resource Library articles and essays is the heading "TFAO references." The count of pages in the TFAO website citing relevant keywords is an indicator of our breadth of coverage for this topic. We recommend that readers search within the TFAO website to find detailed information for any topic. Please see our page How to research topics not listed for more information.
After "TFAO references" are links to valuable online resources found outside our website. Links may be to museums' articles about exhibits, plus much more topical information based on our online searches.
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Articles and essays from Resource Library in chronological order:
Heroic America: James Daugherty's Mural Drawings from the 1930s; essay by Rebecca E. Lawton (6/23/05)
Villa America: American Moderns, 19001950 (5/17/05)
"A Modernist Painter's Journey in America" - essay by Paul Karlstrom from the catalogue "Yun Gee: Poetry, Writings, Art, Memories" (12/1/03)
Conversion to Modernism: The Early Work of Man Ray ; essays by Francis M. Naumann and Gail Stavitsky (9/2/03)
In and Out of California: The Participatory Nature of Early California Art; essay by Will South (12/17/02)
Conversion to Modernism: The Early Work of Man Ray (11/8/02)
California Watercolor Painters in Context, essay by Donelson Hoopes (8/30/01)
Introduction to Art at Scripps: The Early Years, essay by Mary MacNaughton (8/28/01)
Thomas Hart Benton, by Marianne Berardi (4/30/01)
Circles of Influence: Impressionism to Modernism in Southern California Art 1910-1930 (6/6/00)
Gold Rush to Pop (9/23/98)
As of 12/5/13 TFAO Digital Library contained
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Return to Topics in American Representational Art
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